Art Science and the Staying Power of the Beat in Bring in âââ¢da Noise Bring in âââ¢da Funk
| Bring in 'da Racket, Bring in 'da Funk | |
|---|---|
 | |
| Music | Daryl Waters Zane Mark Ann Duquesnay |
| Lyrics | Reg Eastward. Gaines George C. Wolfe Ann Duquesnay |
| Book | Reg E. Gaines |
| Productions | 1995 Off Broadway 1996 Broadway |
Bring in 'da Racket, Bring in 'da Funk is a musical that debuted Off-Broadway at the New York Shakespeare Festival/Public Theater in 1995 and moved to Broadway in 1996. The bear witness was conceived and directed by George C. Wolfe, and featured music past Daryl Waters, Zane Mark and Ann Duquesnay; lyrics by Reg E. Gaines, George C. Wolfe and Ann Duquesnay; and a volume by Reg East. Gaines. The choreography was by Savion Glover.
Productions [edit]
Bring in 'da Dissonance, Bring in 'da Funk premiered off-Broadway at the Public Theater'due south Newman Theatre on November 3, 1995, and closed on Jan 28, 1996, after 85 performances. Directed by George C. Wolfe with costumes past Karen Perry, set design by Ricardo Hernandez, lighting by Jules Fisher and Peggy Eisenhauer, and Production Managed past Bonnie Metzgar. The cast included Savion Glover, Duquesnay, Gaines, and Dulé Hill.[i]
The musical moved to the Ambassador Theatre on Broadway, opening at that place on April 25, 1996. The show airtight after 1135 performances on Jan 10, 1999. The opening dark bandage included Jeffrey Wright, Glover, Duquesnay and Hill. Once more directed by Wolfe, with sets and lighting by the off-Broadway squad, costume design was by Paul Tazewell.[2] Glover left the show but returned for forty performances from December eight, 1998, through January ten, 1999.[three]
Glover toured with the musical in 2002.[4]
The Original Broadway Cast recording was issued by RCA Victor (09026-68565-2).[5]
Concept [edit]
Bring in 'da Racket, Bring in 'da Funk is a musical revue telling the story, through tap, of black history from slavery to the nowadays. The musical numbers are presented along with supertitles, projected images and videotapes and with continuing commentary.
Wolfe took the rap words of Reg E. Gaines and turned them into "tap/rap (tap dancing informed by hip-hop and funk rhythms)."[half-dozen]
Songs [edit]
[2] [vii]
|
|
Response [edit]
The New York Times review said that "Mr. Glover has plant choreographic equivalents for the black experience in the days of plantations, urban industrialization, the Harlem Renaissance and latter-day race riots...This sense of flaming individuality is finally what the evening is about: not but the commonage history of a race but the diverse and specific forms of expression that one tradition embraces."[viii]
The show is "an explosive and bravely literal-minded chronicle of the genre'south history from slavery to the present. The music is beautiful and the dancing exuberant, but Funk is serious business, with savage, funny send-ups of Uncle Tomism in Hollywood."[9]
The New York Times wrote: "every bit dance, equally musical, as theater, as art, as history and entertainment, in that location's zip Dissonance/Funk cannot and should non do." (Margo Jefferson)[6]
The musical made an "extraordinary political statement ... equally well as the equally significant growth in dance this show launched."[four]
Awards and nominations [edit]
Original Broadway production [edit]
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 1996 | Tony Award | Best Musical | Nominated | |
| Best Book of a Musical | Reg E. Gaines | Nominated | ||
| Best Original Score | Daryl Waters, Zane Mark, Ann Duquesnay, George C. Wolfe and Reg East. Gaines | Nominated | ||
| All-time Performance past a Leading Histrion in a Musical | Savion Glover | Nominated | ||
| Best Performance past a Featured Actress in a Musical | Ann Duquesnay | Won | ||
| Best Management of a Musical | George C. Wolfe | Won | ||
| Best Choreography | Savion Glover | Won | ||
| Best Costume Design | Paul Tazewell | Nominated | ||
| Best Lighting Design | Jules Fisher and Peggy Eisenhauer | Won | ||
| Drama Desk Honour | Outstanding Musical | Nominated | ||
| Outstanding Player in a Musical | Savion Glover | Nominated | ||
| Outstanding Manager of a Musical | George C. Wolfe | Nominated | ||
| Outstanding Choreography | Savion Glover | Won | ||
| Outstanding Lighting Design | Jules Fisher and Peggy Eisenhauer | Won | ||
Notes [edit]
- ^ "Bring in 'Da Noise Bring in 'Da Funk". Internet Off-Broadway Database . Retrieved 16 January 2022.
- ^ a b "Bring in 'Da Racket, Bring in 'Da Funk – Broadway Musical – Original". Internet Broadway Database . Retrieved Jan 13, 2010.
- ^ "Glover returns to 'Bring in 'Da Noise, Bring in 'Da Funk'". New York Amsterdam News. December xxx, 1998 – via highbeam.com. [ expressionless link ]
- ^ a b Collins, Karyn D. (April 2003). "Bring in 'da Dissonance, Bring in 'da Funk. - dance review". Dance Mag. Archived from the original on 4 February 2011 – via findarticles.com.
- ^ "Bring In Da Noise, Bring In Da Soundtrack CD Album". cduniverse.com . Retrieved January thirteen, 2010.
- ^ a b Hill, p. 439
- ^ "Bring in 'da Noise, Bring in 'da Funk". guidetomusicaltheatre.com . Retrieved January 13, 2010.
- ^ Brantley, Ben (16 November 1995). "THEATER REVIEW; Story of Tap equally the Story of Blacks". The New York Times . Retrieved xvi Jan 2022.
- ^ Cagle, Jess (14 June 1996). "Bring in 'da Noise, Bring in 'da Funk". Entertainment Weekly . Retrieved 16 Jan 2022.
References [edit]
- Hill, Errol. "A History of African American Theatre" (2003). Cambridge Academy Press, ISBN 0-521-62443-six, p. 439
External links [edit]
- Bring in 'da Noise, Bring in 'da Funk at the Net Off-Broadway Database
- Bring in 'da Dissonance, Bring in 'da Funk at the Net Broadway Database
- Souvenir Brochure Design
- Bring in 'da Noise, Bring in 'da Funk photos and Original Broadway Cast Recording details
Source: https://en.wikipedia.org/wiki/Bring_in_%27da_Noise,_Bring_in_%27da_Funk
0 Response to "Art Science and the Staying Power of the Beat in Bring in âââ¢da Noise Bring in âââ¢da Funk"
Post a Comment